Making shamanic drum workshops, frame drumming workshops and others
Zapraszamy serdecznie na koncert duetu Zohara Fresco z Madhavem Haridas. Muzycy zagrają dla nas kompozycje z Płyty Zohara Fresco "Tof Miriam".
Zohar Fresco magnetyzuje artystów z całego Świata. Na Zohar Fresco Framedrums Camp, który wspólnie organizujemy przyjeżdżają muzycy z wielu krajów Europy, Azji i USA. Przed duetem Fresco/Haridas wystąpią studenci Zohara - Sultan Kara oraz Oray Yay z Turcji, Francesco Magaro z Włoch, Kasia Kadłubowska z Niemiec oraz Michał Pękosz z Polski :)
17 sierpnia 2024, Silpia Duża 9, Start: 19.00, zapraszamy od 18.00.
Koszt biletu: 150 zł.
Rezerwacje: liczba biletów jest ograniczona. PRZED DOKONANIEM WPŁATY należy potwierdzić mailowo czy są jeszcze dostępne miejsca. Adres 13bebnow@gmail.com
Wpłaty na rachubek fundacji:
Życie w Rytmie, Silpia Duża 9, 29-100
57 1090 2040 0000 0001 5519 9509
Tytuł wpłaty: "Koncert Zohar Fresco"
O artystach:
Zohar Fresco (info ze strony https://www.zoharfrescoschool.com/)
Zohar Izhak Fresco is known as a pioneer of the tof miriam, the ancient frame drum originated in the Middle East more than three thousand years ago.
Born in Israel to a family with deep roots in Turkey and as a descendant of Tamburi Izhak Fresco, remarkable, well known Jewish Turkish composer who lived in 18th-19th centuries, Zohar was drawn to music at an early age and revealed a major influence of the music of his origins.
Fresco understood the great value and the wide musical range that exists in the tof miriam and dedicated his life to the development of a new fingering technique and a unique musical language by the name MANEGINA. In doing so Fresco created his own drumming style and became a mentor to musicians all over the world who followed him, learned the secrets of his musical method and adapted his drumming style in their musical work.
Fresco’s deep research, wide experience and dedication to his art made him master of percussion and one of the most sought after music workshops conductors. He is frequently invited to colleges, universities and music centers around the world to teach and share his music theory and playing technique.
Madhav Haridas (bio ze strony https://www.madhav-haridas.com/)
Born in France in 1980, Madhav started to learn music on saxophone at an early age.
He became performing at 16 with different projects in France, mostly in jazz and gipsy musics.
During his first visit to India at the age of 22, he saw in the temple of Udupi in Karnataka some saxophone players playing south indian music, and he got touched by
the sound and the spirit of devotion of their music.
He left everything and moved to India at the age of 23 where he started to learn Carnatic Classical Music from an Indian saxophone master : Haridas Dogra .
In 2007, he arrived in Varanasi and started to learn intensively Hindustani Classical Music from a great vocalist, Pt Devashish Dey, following him with the bansuri flute. With him he learnt hundred of ragas and vocal compositions in a span of 5 years, and started to reproduce his bansuri technique on the saxophone, alto and soprano, trying to overcome the limitations of this western instrument.
He performed many concerts in India on bansuri and saxophone, and started teaching as well. For 5 years he performed on big stages in India with the Mumbai based fusion band Maati Baani staring Indian classical singer Nirali Kartik.
He also stayed in Goa for many seasons where he started multi-cultural projects, playing and learning with international musicians from Turkey, Iraq, Israel, Europe, India , exploring both traditional and modern ways of improvisation. He started developing his original music in Goa through his band Mr Destiny .
In 2019 he moved to Israel where he joined many projects in Balkan , Jazz and World music (Zohar Fresco quartet, Qawalia ), as well as continuing to teach and perform Indian Classical Music .
In 2023 he started his new quartet, as a natural outcome of all these years learning and performing with others . His new compositions are a blend of Indian music and spiritual jazz ,
where the ragas are free to explore other spheres.
